Beverly Erdreich – Continuum: 1808 to 2017 / Goya to Erdreich

April 19-June 29, 2019

Beverly Erdreich’s Continuum series takes an unflinching look at atrocities that have impacted society through incredible acts of brutality. Inspired by Francisco de Goya’s 19th century series Disasters of War, Erdreich draws direct parallels from Goya’s etchings to modern acts of inhumanity. Reproducing and enlarging a selection of Goya’s images, Erdreich then works into each an additive and subtractive process of drawing, collage, erasure, and text. The images speak to us with an urgency to point out how little the world has changed in the centuries since Goya’s pioneering series of first-hand war reportage.

A native of Dothan, Alabama, Beverly Erdreich earned her degree in art history from Newcomb College in New Orleans, Louisiana. Her work has been exhibited nationwide and is in the permanent collections of the Wiregrass Museum of Art, the Birmingham Museum of Art, as well as private and corporate collections throughout the United States. Erdreich lives and works in Birmingham, Alabama.

Continuum has been shown at Space One Eleven in Birmingham, Alabama; the Montgomery Museum of Fine Arts in Montgomery, Alabama; and the Center for Contemporary Arts in Santa Fe, New Mexico. The exhibition is intended to honor those who have experienced war, violence and acts of hate. Related programming will be presented throughout the run of the exhibition, looking at global events and their effects on local history. The full schedule of events is listed below.

Continuum Public Programs

Use the links below to view details about the programs

*Continuum Conversations and Films will take place in the Main Gallery
*Public programming for the Continuum exhibition has been organized by an independent Program Manager, Holly Roberts Meyers, alongside WMA staff, and Humanities Advisor Dr. Jeneve Brooks.
*All programs are free and open to the public excluding Operation Art, which is reserved for veterans and active-duty members of the military.

View new Intergenerational Learning Project videos by clicking the link below.

Featured Above: Beverly Erdreich (American, born 1939), "Lo mismo - The Same," 2015-2017 Collage, text, pastel, charcoal, paint, graphite, and erasure on paper

Youth Art Education Policy

Outside of tours, family days, and open house events, individuals who are not enrolled in a class are not allowed in WMA classrooms except by written permission of the Executive Director. Parents may not join children in the classroom during instruction times in order to ensure an atmosphere conductive to creativity. It is important to limit the number of adults to keep the focus on the kids, their learning, and to accommodate limited seating in the studio. Parents are welcome to stay in the museum during class but must remain outside of the classroom during instruction time.

Museum educators are experienced in creating positive learning environments for all ages and are required to go through a background check to ensure the safety of our students. Parents and guardians are encouraged to visit the studio at the end of class to see what their child has created. All docents and volunteers working with children are also required to go through background checks.

Thank you for understanding our policy and priority on the safety and well-being of participating students.

Refund Policy

The Wiregrass Museum of Art may cancel any class with insufficient enrollment; students will be notified and given a full refund. If a student withdraws at least 1 week before the class begins, he/she will be refunded for the full cost of the class. If a student withdraws 24 hours before the class begins, he/she will be refunded for half the cost of the class. There are no refunds after the start date of class, and membership fees are nonrefundable. Students are not enrolled until complete payment is received.

Terms and Conditions

The Wiregrass Museum of Art reserves the right to photograph and reproduce chosen works publication, publicity, and educational purposes. Participation in this exhibition shall be an agreement on the part of the artist to these conditions. The museum reserves the right to exclude works submitted without appropriate preparation (documentation, mounting hardware, suitable frame/mat, etc.), or which are damaged or incomplete. The museum is not responsible for the safekeeping of any works left in its care ninety (90) days after the close of the exhibition.

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