‘Continuum: 1808 to 2017/ Goya to Erdreich’ examines the effects of war and violence

DOTHAN, Alabama – April 11, 2019 – The Wiregrass Museum of Art (WMA) is pleased to announce the opening of Continuum: 1808-2017/Goya to Erdreich on the evening of Thursday, April 18 at WMA’s spring quarter Art After Hours event. The exhibition, comprised of a series of mixed-media works by artist Beverly Erdreich, takes an unflinching look at the enduring and changeless effects of war and other horrendous acts of violence on society. Continuum is intended to honor those who have experienced war, violence and acts of hate, and WMA will offer an extensive schedule of related programming to further examine the topics presented in the exhibition, which include the Jim Crow-era South, the Holocaust, World War II, the Vietnam War, and modern-day conflicts and social issues.

Erdreich has worked over the past decade to explore difficult issues and events in an effort to understand the recurring themes of war and social malaise throughout history. This series was inspired by Francisco de Goya’s nineteenth-century series Disasters of War, a series of etchings created between 1810 and 1814 to document the Peninsular War.

In Continuum, Erdreich asks the viewer whether we have learned from the past by drawing direct parallels from Goya’s etchings to modern acts of inhumanity. Reproducing and enlarging a selection of Goya’s images, Erdreich then worked into each an additive and subtractive process of drawing, collage, erasure, and text. The images speak to us with an urgency, pointing out how little the world has changed in the centuries since Goya’s pioneering series of first-hand war reportage.

“Although Beverly has worked in abstract compositions for much of her career, she found herself needing to explore the atrocities of war and violence, and she did that through the lens of Goya’s Disasters of War series. While many of these images are challenging to view, it is the role of museums to use their collections and exhibitions, and their relationships with artists, as a tool for important dialogue within their communities. We appreciate the community partners that have been working with us to plan important programs for members of our community to tell their own stories,” said Dana-Marie Lemmer, director and curator of the Wiregrass Museum of Art.

A native of Dothan, Alabama, Beverly Erdreich earned her degree in art history from Newcomb College in New Orleans, Louisiana. Her work has been exhibited nationwide and is in the permanent collections of the Wiregrass Museum of Art, the Birmingham Museum of Art, as well as private and corporate collections throughout the United States. She lives and works in Birmingham, Alabama. Continuum has been shown at Space One Eleven in Birmingham, Alabama; the Montgomery Museum of Fine Arts in Montgomery, Alabama; and the Center for Contemporary Arts in Santa Fe, New Mexico.

Continuum exhibition visitors will have a chance to explore Erdreich’s work though a series of in-gallery resources, including access to digital recordings of the artist discussing her work and access to images of Goya’s original etchings from the Disasters of War series.

Continuum: 1808 to 2017/Goya to Erdreich has been made possible by grants from the Alabama State Council on the Arts and the National Endowment for the Arts.

Exhibition-related programming

Programming for the Continuum exhibition has been organized by an independent program manager, Holly Roberts Meyers, alongside WMA staff, and a humanities advisor, Dr. Jeneve Brooks.

“While creating the public programs for the exhibition, I took a strong look at our community members. WMA wanted to provide every member of this community with more learning experiences that directly parallel the themes Erdreich presents in Continuum. We do not want the viewer to walk away with little context; we want to provide a deeper look into the human condition as it pertains to war and acts of inhumanity while honoring those of the past and present,” said Holly Roberts Meyers.

“And I hope the programming will reflect the museum’s sincere attempt to provide the region with meaningful conversations and learning opportunities. Working with WMA on this exhibition has been a rewarding experience for me personally, and I hope the Wiregrass community will benefit from it,” said Meyers.

Public programs

Public programming related to Continuum will be presented throughout the run of the exhibition, looking at global events and their effects on local history. The comprehensive schedule includes four categories: Conversation, Performance, Film, and Hands-On. Offerings include art classes, lectures, panel discussions, live performances, and in-gallery activities intended as a platform for subject-matter experts to share their expertise and for community members to share their own experiences.

For a complete listing of programming related to Continuum, including descriptions, times, and dates, please visit the exhibition page at wiregrassmuseum.org. A printable, full schedule of programming is also available here.

Intergenerational Learning Project

WMA has tasked a small group of high school and college-aged students to conduct interviews with older members of the community. These older community members have unique personal histories to share as many of them have lived through active military duty, the Great Depression, the civil rights movement, and other seminal periods in American history. All participants are of diverse backgrounds and have been paired together based on their ability to learn from one another by making meaningful connections.

The goal of the project is for the interviewers and interviewees to share their cultural and generational experiences, especially those related to topics addressed in the Continuum exhibition. WMA will create a film of these conversations to serve as a learning tool and archive for the participants and the Wiregrass community.

Featured in header:
Beverly Erdreich, Las camas de la muerte – The Deathbeds, 2015-2017, Collage, text, pastel, charcoal, paint, graphite, and erasure on paper

Additional images available upon request.

About the Wiregrass Museum of Art
The Wiregrass Museum of Art inspires a lifelong appreciation for the visual arts by providing innovative educational programs that engage diverse audiences through the collection and exhibition of quality works. Since its founding in 1988, WMA has offered educational programs, nationally-acclaimed art exhibitions and community events throughout the year. Its Board of Trustees guides the long-term vision and strategic goals, while its membership, City and County support, and grant funding provide the resources needed to fulfill its mission.

WMA’s galleries are open to the public every Wednesday through Friday from 10 a.m. until 5 p.m. and Saturdays from 10 a.m. until 3 p.m. General admission is always free. Private tours with guided art activities in the studio can be arranged by appointment on Mondays and Tuesdays. For tour information, visit wiregrassmuseum.org/museum-tours.

About Art After Hours
Art After Hours is held at the Wiregrass Museum of Art in January, April, July and October to celebrate the opening of quarterly exhibitions. The spring event will take place on Thursday, April 18 from 5:30 – 8:00 p.m. Admission is free for members and $5 for non-members. Museum memberships are offered for half price at the door of all Art After Hours events.

Lara Kosolapoff-Wright
Communications Manager, WMA
334.794.3871, Ext. 27

Youth Art Education Policy

Outside of tours, family days, and open house events, individuals who are not enrolled in a class are not allowed in WMA classrooms except by written permission of the Executive Director. Parents may not join children in the classroom during instruction times in order to ensure an atmosphere conductive to creativity. It is important to limit the number of adults to keep the focus on the kids, their learning, and to accommodate limited seating in the studio. Parents are welcome to stay in the museum during class but must remain outside of the classroom during instruction time.

Museum educators are experienced in creating positive learning environments for all ages and are required to go through a background check to ensure the safety of our students. Parents and guardians are encouraged to visit the studio at the end of class to see what their child has created. All docents and volunteers working with children are also required to go through background checks.

Thank you for understanding our policy and priority on the safety and well-being of participating students.

Refund Policy

The Wiregrass Museum of Art may cancel any class with insufficient enrollment; students will be notified and given a full refund. If a student withdraws at least 1 week before the class begins, he/she will be refunded for the full cost of the class. If a student withdraws 24 hours before the class begins, he/she will be refunded for half the cost of the class. There are no refunds after the start date of class, and membership fees are nonrefundable. Students are not enrolled until complete payment is received.

Terms and Conditions

The Wiregrass Museum of Art reserves the right to photograph and reproduce chosen works publication, publicity, and educational purposes. Participation in this exhibition shall be an agreement on the part of the artist to these conditions. The museum reserves the right to exclude works submitted without appropriate preparation (documentation, mounting hardware, suitable frame/mat, etc.), or which are damaged or incomplete. The museum is not responsible for the safekeeping of any works left in its care ninety (90) days after the close of the exhibition.

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Mask Policy

WMA asks that all campers ages 5 and up wear a mask during their museum visit, including classes and camps. If you don’t have a mask, we can provide one for you. Exceptions can be made for those with documented respiratory or sensory issues. We thank you for protecting your fellow visitors and our staff!

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